lambda@kaspar.wtf ~/things $ ls -l
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BLUE X80 > exhibition Why does my screen go blue when things go wrong ?
Blue has invaded our digital lives with a strong symbolism and its expressive nuances. As citizens of the internet today, we all know the difference between a problematic blue and a blue designed to make up the safe space of a social network. |
ONGOING- 06.12.2018 - 28.02.2019 / 26th Slavonian Biennial → Muzej likovnih umjetnosti in Osijek, Croatia ↗
- 03.10.2018 - 30.06.2019 / Comme par hasard → MMI ENS in Lyon, France ↗
PAST DATES- 13.12.2018 / JPEG Crush @ _BLANK 4 → in Paris, France
- 09-10.12.2018 / Polar System → Théâtre Paris Villette in Paris, France
- 08.12.2018 / Introduction to glitch art @ Inasound Festival → Palais Brongniart in Paris, France ↗
- 08.12.2018 / the cloud factory @ Inasound Festival → Palais Brongniart in Paris, France ↗
- 01.12.2018 / JPEG Crush @ Cookie Demoparty 2018 → La Folie Numérique in Paris, France ↗
- 23.11.2018 / Mascarade → Petit Bain in Paris, France ↗
- 28.10.2018 / the cloud factory @ Le Bal du Loup → Le Cirque Electrique in Paris, France ↗
We took part in this event last month for the Refrag : Plan + Algorave day and it was a really cool reunion <3
Refrag #4 Cradle-to-Grave is a symposium exploring new connections between art, culture and technology. By parsons paris > design + technology.
Using the life-cycle assessment as the structure for the fourth edition of the refrag festival, we are creating a space for debates and exchanges for students, visitors and artists / hacktivists / makers engaging with various aspects of this linear system, and in doing so, give a comprehensive overview of research and artisitic practices addressing the impact of information and commnunication technologies.
The contributions span from addressing environmental, social and political issues related to planned and perceived obsolescence, techno-colonialism, techno-propaganda, consumerism, and more… coming from a variety of practitioners.
more > www.refrag.paris
video > by Sanie Irsayα¶r 18†# - 2018 |
